Arnie Cox – Music and Embodied Cognition: Listening, Transferring, Feeling, and Thinking (Unabridged)
Music and Embodied Cognition: Listening, Transferring, Feeling, and Thinking (Unabridged)
Taking a cognitive strategy to musical which means, Arnie Cox explores embodied experiences of listening to music as those who transfer us each consciously and unconsciously. On this pioneering research that attracts on neuroscience and music concept, phenomenology and cognitive science, Cox advances his concept of the “mimetic hypothesis”, the notion that a big a part of our expertise and understanding of music includes an embodied imitation within the listener of bodily motions and exertions which might be concerned in producing music. By an usually unconscious imitation of motion and sound, we really feel the music because it strikes and grows.
With purposes to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox’s work stands to broaden the vary of phenomena that may be defined by the position of sensory, motor, and affective points of human expertise and cognition.
Get instantly obtainArnie Cox – Music and Embodied Cognition: Listening, Transferring, Feeling, and Thinking (Unabridged)
Revealed by Indiana College Press.
“One of the best studies on the role of conceptual metaphor in music comprehension and theory I’ve ever read.” – Mark Johnson, writer (with George Lakoff) of Philosophy within the Flesh
“This book puts forth a beautiful account of what it’s like to listen to music.” – Elizabeth Margulis, writer of On Repeat: How Music Performs the Thoughts
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